About

A key rule: use the fixed focal length (no zoom) to get as close as possible to the subjects and create a connection through photography. It also allows a gain in light and precision.

I favor film whenever possible, particularly in black & white, to obtain appropriate grain and sufficient black depth.

I appreciate the artisanal process of film photography, after the shot: manual cropping and makeup in the laboratory, but also the pleasure of baryta paper, its longevity and its fibrous thickness.

I choose to limit myself as much as possible:

Analog photography : rolleiflex (6x6) and canon 24x36 reflex

Digital photography : canon eos 6d Mark II (full frame)

Never flash, and photographs as raw as possible.

Exhibitions

2019 : Rétrospective sur le Mexique, Casa Espirituosa, Ciudad de México,

(Mexique).

2009 : "L'Argentine à l'heure andine", Ambassade de la République argentine

en France, Paris.

2007 : "Errances grecques", Musée d'art et d'histoire de Saint-Denis (Festival

artistique étudiant "Ici et demain").

2006 : "insólitamente Paris", exposition collective, Galerie Monteoliveto,

Naples (Italie).

2006 : exposition collective de l'association Spectroculaire, Maison des

jeunes et de la culture "les hauts de Belleville", Paris.

2005-2009 : membre fondatrice et vice-presidente de l'association "Spectaculaire".

Formation au développement et au tirage argentique (noir et blanc / couleur) au

Centre Iris pour la photographie (Paris).